![]() I recommend Scopebox from Divergent Media. But there aren't just hardware options available. This is perfect for you also utilizing many different color spaces other than REC709. Of course it was made for gaming, which can work great for video editors who aren't looking to spend a bunch of money on a monitor. It also has 2 HDMI ports and one DP input. I reccomend using a BenQ EL2780U which will blow you away. If you're doing any basic color grading, you need a good monitor. You never know when you'll need to record a screen or other device. And if you don't think you need one, you might as well not be a serious editor. There is Avid Hardware for Avid users like the DNxIV or the more powerful DNxIQ. These are used to both display or capture footage. You'll be spending money upgrading your computer, and this is one area you CANNOT overlook or under spend. Kevin reached out to AMD (since he uses Macs) and got a hold of the AMD Radeon Pro WX9100 card. Once installed, it's just a matter pf choosing what graphics card you want to use. There were a few hoops I had to jump through to get things working right, but when I did, my CPU was super happy with my new eGPU," he said. I’m trying to do this with a 2013 MacPro that only has Thunderbolt 2. " The trick here is that if you have a Thunderbolt 3 connection, everything is plug and play and you’re good to go. McAuliffe from Pro Video Coalition used this. ![]() Razer is really well known in the gamin community. It's why I switched over a while ago.īut there is such a thing as eGPU's now available. Just unplug it, then plug in your updated version. With a Windows device, upgrading a GPU is easy. I've heard from people using MacBook Pro trashcan that the GPU can easily over heat, and I've experienced this myself. which shackle you hard especially when it coems to editing with 4K. You can see more of the G-Speed shuttle family here! Some of their drives go up to 80TB like the G-Speed Shuttle XL Thunderbolt 3! With this if you put it to a RAID 5, you get 70tb of storage space & redundancy. If one drive fails, plug in another one to rebuild it and save your data. That and you need to think of redundancy. We need to be able to unplug a drive and then plug it into a laptop or another device from work. Internal drives are a lie! They certainly make things look easier when working from one location, but what if you need to move around? You need flexibility. what tools are esntial to edit from home? What kind of hard drives do you need? I/O devices? That's where this article comes in. As much as we'd love an all-in-one system for this, there isn't. People like me who work in post production are all wondering how they can do it. Okay, so now that we know about the types of scopes available, let's jump into Resolve and take a look at opening up and configuring Resolve scopes.We're all working from home now. Scopes from companies like divergent media with their product ScopeBox, take ultra-configurable software scopes and combine the processing power of a Mac to create a compelling external scope solution that will work with any video tool, including Resolve. Some Resolve colorists like to use software scopes, just not in Resolve. Because they're software based, they're also, generally speaking, extremely configurable, which is also a good thing. The obvious advantage of software scopes is that they come with the tool that you're using. Every NLE and color application has software scopes built in. These are the scopes that you're probably most used to seeing and using. The downside is that they're still pretty expensive. Because you're attaching a computer monitor to the hardware, you have a ton of onscreen configurability for things like window arrangement, display intensity and so on. The advantage of these setups is that they're actually quite small and usually rack mountable. Hybrid scopes take the processing power of a dedicated hardware unit and combine a computer monitor to display scopes instead of displaying the signal directly on the unit itself. The next type of scope would be the hybrid scope setup. ![]() Hardware units provide a self-contained scope solution that's not dependent on other gear, including a computer. Chances are, if you've walked into a color or edit suite in the past 30 or 40 years, you've probably seen hardware scopes. Let's start out by talking about hardware scopes. However, what I mean by type of scope is more about hardware versus software and hybrid-type scopes. And throughout this title, we'll, of course, be using Resolve scopes. A wave form is a wave form and a vector scope is a vector scope. As we start our exploration of scopes in DaVinci Resolve, I wanna spend a moment to explain what kind of scopes the ones in Resolve are and what other scope options are available outside of Resolve. ![]()
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